The credit given to Jeethu Joseph in the film Lakshyam is of a content author. In any case, the introduction wander of Anzar Khan has close likenesses with Jeethu Joseph's method for describing thrillers. The film is around two detainees who incidentally got away from jail. Despite the fact that it has an intriguing turn in the mid way, Anzar Khan's expectation was to regard it as an enthusiastic tussle towards the end and that alongside certain dramatizations diminishes the appeal of this film.
A police jeep going to Ernakulam which had two blamed detainees in it gets smashed on its way. The two detainees who are currently inside a woodland, chooses to make utilization of this chance to get away. Lakshyam is discussing the endeavors of these two to escape from the backwoods and furthermore about the back stories of them two.
A noteworthy bit of the plot was uncovered in the trailer of the motion picture itself. The examination I made about the comparability in the style of Anzar Khan's making was on account of we get the chance to see a considerable measure of visual impacts helped long zoom out shots and numerous different things we more often than not find in a Jeethu Joseph motion picture. The forward and backward story will help us to remember Oozham at a few focuses. The motion picture tries to be connecting with through a portion of the survival strategies they appear in the principal half. With Biju Menon's run of the mill diversion making it look more natural, we are to some degree put resources into the film and the interim disclosures were likewise fascinating. Be that as it may, it is in the post interim session where the film needs shocks and we get exhausted. It turns out to be even more a mind amusement that doesn't have the sort of interest one would anticipate.
Indrajith Sukumaran's exchange conveyance is somewhat odd to be completely forthright. We feel that for the most part since we are seeing him alongside Biju Menon who conveys exchanges with practical feel. Indeed, even as far as feelings there is this obvious distinction in the style of the two performing artists. Aside from these two there isn't much there for different on-screen characters. Sshivada looks fine in her character. Kishore Sathya and Shammi Thilakan are there as unused characters.
Anzar Khan's film making style has close similarity with Jeethu Joseph's approach. The dramatization and other dingy viewpoints have that tint of showiness. The written work of Jeethu Joseph can't generally persuade the passionate battle between the two when the film enters that last quarter. That last hop needed conviction. Sinu Sidharth has attempted a considerable measure of investigations with the camera incorporating some blending with visual impacts to achieve the outcome. Despite the fact that it wasn't that precise and now and again even pointless, the exertion looks considerable. The music and the foundation score were alright. On the off chance that specific scenes aren't that fundamental, kindly don't squander cash over crude visual impacts (I am discussing that Bear scene).
I would state Lakshyam is only a normal performer that couldn't delineate the enthusiastic turmoil of its fundamental characters convincingly. With cleverness in the principal half and a fascinating turn towards the center, the odds of you feeling that this one could have been exceptional is high.
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