Every movie has a relevant character round who the plot is constructed and fidaa revolves round bhanumathi (sai pallavi). She is the factor of impact, and the effect forms the relaxation of the plot. She is stunning, captivating, headstrong and in her personal phrases, “hybrid piece”. She doesn’t want to leave her u . S . A ., or her father at the back of after marriage, but she falls in love with her brother-in-law’s brother, varun (varun tej). Produced by way of dil raju, and directed by way of sekhar kammula, this film is a refreshing romantic tale.
Sai pallavi has selected a extremely good debut in tollywood. For the first time, we see the dancer in her, that is desirable to observe at the silver screen. Then we've got varun tej who performs the male lead. First of all, you would possibly feel that the male character doesn’t have as plenty intensity as the lady one. You may sense that the film is tipping to at least one side, and something is amiss.
Sekhar kammula has achieved something that is unusual no longer only for tollywood but in any movie industry. It is to inform a story from the lady perspective. The splendor lies within the truth that the plot segues so fantastically with the concept that on the quit, you come to be falling a bit bit in love with the characters. In particular sai pallavi. Whilst she is the coronary heart and soul of this movie, varun tej is the muscle that supports it all. Sekhar has accomplished some thing unexpected, another time.
As a director, it became a brilliant pass to solid sai pallavi. But, the one issue that irks the target audience a touch is the absence of a strong supporting cast. Yes, there's tremendous camaraderie among varun and his brother, there may be affection among him and his new sister-in-law, but in an crucial scene, a conversation between varun and his sister-in-law falls flat.
If a viewer had to go “fidaa” over something, then the track is absolutely it. Shakthi kanth has completed a exceptional job and the track is just magical. Be it the romantic range or the very cheeky wedding track, he has given the film something that no person else probably may want to. And in aggregate with the cinematography, one must say marvellous.
There is lots of magic that could occur at the silver screen while the man behind the camera truely is aware his subject. It looks as if vijay c kumar understands banswada extremely nicely. Especially the shots of bhanumathi and the rain appearance stunning. The attention to detail will awe you in locations and amuses you in others.
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